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A YouTube-Based Record Label Banks Over $100K

Check out this video below – is this the future of the music business?

"To date, DFTBA Records has released 10 CDs from YouTube stars like Dave Days, Venetian Princess, and Rhett & Link, and sales have surpassed $100,000. They operate as an independent distribution network, managing digital sales, CD production and (soon) merchandise for popular users like Michael Buckley."

The only disappointing thing is that it is still all coming down to album sales and this doesn't strike me as sustainable over the long-term.  However, if the label can be less of an abusive middleman and more of a helpful marketer and curator they might be on to something cool.

LINK

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Amanda Palmer Explains How Artists Will Survive in the Digital Age

LAS VEGAS - JUNE 08: Singer/pianist Amanda Pa...

Image by Getty Images via Daylife

Amanda Palmer of Dresden Dolls has long been on the bleeding edge of how to use the internet and all it provides as the foundation for creating new streams of revenue now that the sale of recorded music is becoming obsolete. 

In a recent post she explains, in simple, language, exactly what is going to be changing when it comes to both how artists make money and how fans help make that happen:

"artists will now be coming straight to you (yes YOU, you who want their music, their films, their books) for their paychecks. please welcome them. please help them. please do not make them feel badly about asking you directly for money. dead serious: this is the way shit is going to work from now on and it will work best if we all embrace it and don’t fight it."

Damn right, Amanda.

LINK

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CNN iPhone App a Lesson for Dying Newspaper Industry

CNN Mobile iPhone App

Image by Photo Giddy via Flickr

The truth is, I don't really think newspapers, as we know them today, will be around much longer.  Not only are they based around an increasingly unnecessary and unwanted dead-tree medium but they have not seemed to embrace any of the opportunities presented by the digital revolution.  Their biggest problem is that they are having trouble competing with "free" alternatives and have decided to attempt to erect paywalls instead of offering more valuable content or services.

The new CNN iPhone App is a great demonstration of how to take something easily available for free – there are literally hundreds of free news apps for the iPhone, not to mention being able to just launch your browser and hit one of 1,000 news websites – and charge $1.99 for it by adding value to the content.

Not only is the app pretty and with a fun interface, it also offers tons of personalization options and will STREAM live coverage of breaking news events.  The other big perk is the ability to contribute directly to CNN's iReport section.  Sure, all of these things could be done through one website or another for free but bringing it all together in one easy-to-use and fully-featured app and suddenly $1.99 seems like good value.

Now, I hate CNN and feel that most of their coverage, like that of all the major 24-hour news organizations, is based on making us feel scared or angry or hopeless and I just don't need more of that in my life.

But if I did, I would totally get this App.

The only real question, from a revenue perspective, is if there is a way to get more money from people once they've bought the app…

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Fantastic Student Music Video to I Gotta Feeling! Gotta Be Banned?

This is a classic case of the problems with copyright laws, especially as it pertains to music.  Below is a completely entertaining student film feature over 100 performers doing a one-take lip-dub to the Black-Eyed Peas' song "I Gotta Feeling."

Now, if one were to follow the letter of the law, the Black-Eyed Peas, or more likely their label, would be well within their rights to have the video taken down and to  sue the video maker if he or she persisted in posting it elsewhere on the web.  The question is whether or not the band or the label is actually risking a loss of revenue if, instead of trying to bury a fan video like this, that they instead promoted it and even sent the director some tickets to the next show.

Protecting a copyright often seems to fly in the face of good  business.

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DIY Non-Lethal “Vomit” Flashlight Could Even the Playing Field

Below is a sort of teaser  video demonstrating how anyone with a little technological know-how and a couple hundred bucks can replicate a Department of Homeland Security non-lethal "vomit-inducing" flashlight they spent millions on developing.

While it is one thing to ponder why it cost DOHS so much money to create a device a good home-Maker can recreate for a few benjamins, it is even more interesting to ponder the larger repercussions of an group of protesters at, say, the next G20 conference, armed with these devices.  They would be a lot more effective than rocks and bottles and a lot  harder to combat.

Just thinking aloud….

via

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Rage For Free on the iPhone

Very interesting news about the Jude Law film RAGE.  The Sally Potter movie, also starring Dame Judi Dench, Steve Buscemi, John Leguizamo, and Dianne Wiest, is being released for free on the iPhone via the Bablegum App. 

According to filmmaker Potter, this experimental distribution for her new movie is actually an attempt to fight the digital piracy problem faced by the movie industry today. And yes, she's doing it by by offering up her film for free…albeit in a way that ensures the film can only be viewed, not recorded. However, after watching the iPhone release, those interested in owning the movie can immediately purchase a DVD which includes 21 unused scenes by way of the film's online site for $24.95. That, too, represents, a major change to the usual release pattern for films. Typically, the movie-DVD release window involves several months of waiting where the only way to watch the movie is through illegal means such as using the peer-to-peer technology known as BitTorrent

This is one the most rational responses I've seen yet to the issue of piracy and it we will have to see if the film is able to profit from its other revenue streams when there is a free version already available.

Of course, the idea is that the free version cannot replace the complete experience and quality of the paid version so, to work, the paid version has to really be an improvement over the free one.

via

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Music Industry Preparing to Put Itself Out of Its Own Misery

LONDON - NOVEMBER 03: (UK TABLOID Girls Alou...

Image by Getty Images via Daylife

One might think, eventually, the Music Industry would realize that nothing they can do will stop people from accessing music where they want it, when they want it and at a price they feel is both reasonable and affordable.

If the following is to be believed, it looks like, instead of figuring out a new business model or exploring new revenue streams, the major forces in the Music Industry will instead give everyone yet another reason to turn our backs to them once and for all:

In a recent CNET report, various music associations including the American Society of Composers, Authors, and Publishers (ASCAP) and Broadcast Music Inc. (BMI) are currently lobbying Congress for legislation that would make it mandatory for anyone selling a download to pay performance fees. If passed, this delegation of payment would likely bring a second hike in music prices — a hike that will again test consumers’ devotion to the music industry.

According to CNET, ASCAP and BMI are focusing on elevating revenues by imposing fees in three discrete areas: music downloads, movie and television show downloads, and those 30-second song samples that have become a great resource to the hesitant buyer.

So, because you are having trouble convincing people to pay a high price for something already available for free, your plan is to raise prices and make it even harder to listen before you buy.

Genius!  With this sort of thinking, the music industry as we know it today will be completely out of existence by 2010.
 

Posted via email from My Media Musings

Lily Allen Quits Making New Music – Blames Pirates

There has been a very entertaining, though short-lived, debate between pop-tart Lily Allen and TechDirt's Mike Masnick regarding Lily's somewhat misguided and uneducated stance against what she calls music piracy. 

Now comes word that Ms. Allen is actually going to stop making new music completely thanks to those evil pirates:

 "Just so you know, I have not renegotiated my record contract and have no plans to make another record. I do however remain a fan of new music, so this is not some selfish crusade.

"The days of me making money from recording music has been and gone as far as I'm concerned, so I don't stand to profit from legislation. Except future purchases of previously recorded material."

How ignorant can she be to not understand the myriad emerging methods for creative revenue from new music outside of simply selling digital recordings to listeners.  Not to mention that, even in the face of all this so-called destructive piracy, more money was made in the UK music industry in 2008 than in any year previous.

I actually like Lily Allen's music and will be sorry if she really ceases to produce new content but it is more her loss than ours.

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Very Funny Remix of God-Awful Microsoft “Party” Video

Why does Microsoft continue to produce some the most incredibly uncomfortable and unwatchable promotional videos ever known to mankind?

First there was the truly laughable Songsmith demo video (see below) and now they've released an equally awful promo for the hideous concept of throwing Windows 7 Release Parties! The original video is also below, but much more fun is this remix by Cabel Sasser:

Here's the original:

Oh, and the Songsmith original that I still can't believe isn't a spoof:

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Chain Reaction Prologue

PROLOGUE

 

            “I’m getting ready for a delicious hot soak in my Jacuzzi. Miles Davis wailing on my CD. Sandalwood incense burning. My shades are drawn. I’ve got a sea of candles lit. A flickering symphony of soft light and sound. I’m staring at myself in my full-length mirror, running my palms lightly over my breasts. They’re surprising large for such a petite woman. My skin feels like velvet. I shave all my body hair. Nothing but luscious, glowing, healthy flesh. I use moisturizer religiously. Spread it over my body every night. Mmm, smells so good. Like roses…”

            “No.”

            “You don’t like roses? Musk then. Pungent, earthy. Now I’m stepping into the steaming, foamy water…”

            “No.”

            “What’s wrong?”

            “Tell me where you really are.”

            “Where would you like me to be? Curled up in my king-sized bed? Under a puffy white down comforter. Wearing a demure little nightie…?”

            “No.”

            “What kind of a scene are you into? I can give you anything you like.”

            “Give me the truth.”

            “Truth costs.”

            You say it lightly, cajolingly, but you mean it.

            “What if I make it worth your while?” he says.

            “This isn’t about money.”

            “Who’s talking money?”

            “You’re confusing me.”

            He’s scaring you.

            But you’re intrigued. More turned-on.

            “Do you have a husband? A real decent guy, right? Hard-working. Maybe a little constricted. Conservative. Distracted at times. In the sack…”

            “I’m not married,” she says.

            You’re edgy. He’s getting too close to the truth.

            “Did you kiss him good-bye this morning?”

            “I told you I’m not…”

            “Describe it for me.”

            “What? The kiss?”

            Risky. Dangerous. You don’t want to think about your husband. Not now of all times.

            Instant shame.

            “Every detail,” he says. “What time was it? Who made the first move?”

            “Is this what turns you on? I want to please you.”

            Only because it pleases you. He’s a means to your selfish end.

            “Start with the time.”

            “Around seven. Seven-fifteen. He was rushed. Overslept. Late for work.”

            You’re being honest now. Violating your rules. Feels exciting.

            “You were still in bed?”

            “No. In the kitchen.”

            “Were you making his breakfast?”

            “No… Yes.”

            What if you give too much away? You don’t want to be  found out.             You want relief. Release.

            “Yes.”

            “No. Bet you were packing lunch for the kiddies. How many do you have? Two? Three? Pretty little blond-haired beauties?”

            The shame is rushing in like a tornado. You want to hang up. But you won’t.

            “I’ll tell you about the kiss,” she says.

            You think you can distract him.

            Distract yourself.

            “Okay. Tell me about the kiss.”

            “He meant it to be a quick peck. Like I told you, he was in a hurry.”

            “Right. Overslept. Running late for work.”

            “So I…caught him by surprise. When his soft, dry lips touched mine, I slipped my tongue in his mouth. Teasing. Coaxing. Wrapping my arms around his neck. Pressing my body against his.”

            Liar. You’ve been pissed at Peter for days.

            You use that. The old—see what you’ve driven me to.

            “Was he hard?”

            “Yes. I could feel his erection against my thigh. He pulled me even tighter to him. My tongue went deep, deep in his mouth. I cupped his tight, firm ass. Squeezed hard. His hands were on my hips. He’s got very large hands. Powerful. He started whispering, ‘Let’s get naked. Do it right here on the kitchen floor’. Before I could say anything he was attacking the buttons on my blouse, hiking up my skirt…”

            “Ask me if I’m hard. Isn’t that what you want to ask me? Don’t you want to know how good you are?”

            “No.”

            Boloney. It’s crucial.

            “Bullshit.”

            “Okay. Are you hard?”

            Sucker. He’s got you now. Right where he wants you.

            Where you want to be.

            He doesn't answer. Instead, he says, ‘This isn’t working for you either.”

            “What do you want? Want me to talk dirty? Is that what you like? Juicy cunts. Monster pricks. He doesn’t have to be my husband. He doesn’t have to be a he. Tell me what you need.”

            Feeling desperate. Scared. Angry.

            It's not really about what he needs.

            “Where are you now really?” he asks.

            “What?”

            “Are you at home?”

            “No.”

            “Where?”

            “In my…office.”

            Now the truth’s irresistible.

            You’re terrified and exhilarated at the same time. You’re hooked.

            “Got the door locked? Does your secretary know you’re on the phone? Did you tell her you didn’t want to be disturbed? Are you disturbed?”

            “No.”

            Liar.

            “I’ve got your number,” he says.

            “Obviously.”

            You play along, but you’re nervous.

            He has got your number, Natalie.

            “How long have you been at this?” he asks.

            “Long enough.”

            “See what I mean?”

            “Look, I’m not doing it for you. I’m sorry, okay. Maybe you want someone else…”

            “I don’t want someone else. I want you.”

            “You’ve got me.”

            “Did you drive your car to work?”

            “What? Yes.”

            “Got a car phone?”

            “Yes…but…”

            “Call me from your car phone. Leave now.”

            “Why my car phone? Where am I going?”

            This is where you start to totally lose it, Nat. Step right off the edge.

           

            “Are you in your car?” he asks.

            “Yes,” Natalie says.

            “Where?”

            “In…in a lot.”

            “Take off your panties. And your bra.”

            “What? No. I…There are…people…”

            “Come on. You know you want to. Bet your heart is racing.”

            The danger is electrifying.

            You’re feeling more and more disconnected from real life.

            “I’ve never done…”

            “That’s what makes it so exciting. Are you working on the panties?”

            “Yes.”

            You flash on the consequences, but this feels so good. You convince yourself nothing can happen. You’re still safe.

            “Slipping them down your velvety soft thighs?”

            “Yes.”

            “Now your bra.”

            “I don’t think I can… Someone’s walking right by my car. Looking at…me.”

            “Do it right now,” he says.

            “Okay, okay…”

            You tell yourself you have no choice. You can’t help yourself.

            “Are you aroused?” he asks.

            “Yes. Are you?”

            “Come and find out. The Parkcrest Hotel on Boylston. Room 1290. The door’ll be open. I’ll be waiting.”

            “You’re crazy…” she says.

            You’re the one feeling crazy, Nat.

            Powerless. High.

            “How long will it take you?”

            “I’m not…I can’t…”

            “How long?”

            “Ten minutes,” she says.

            “Drive carefully.”

 

            “Close the door. Take off your blouse. Very slowly. Then your skirt.”

            “I’m not into anything…kinky,” Natalie says.

            Be honest. You’re too far gone for rules.

            “I won’t make you do anything you don’t want to do. How’s that?”

            “You’ve got to use a condom. This is crazy enough without…”

            “I’ve got a drawer full of condoms. Every color. Every flavor. Now do as you’re told.”

            You hear it as ‘be a good girl’. Good girls are loved.

            “Now come here to the bed,” he says. “I want to feel your soft velvety skin. I want to breathe in the smell of roses. I want to touch you all over. Make your whole body hum.”

            It’s a dream. He’s Prince Charming. Everything is so perfect.

            “Yes, yes…”

            You let him take charge. You’re body is humming, Natalie.

            “Yes, yes…”

            You tell yourself only this once, never again, but you’re already obsessing over the next time.

            “Yes. Oh please…”

            You still believe you can handle it but you’re deluding yourself.

            You’re really out of control now, Nat.

            “You pig. You fucking pig!” A new voice. Another woman.

            “Oh God…who…what…?” Natalie stammers.

            “Oh, shit! Meg,” he cries out.

            “You bastard. You goddamn bastard,” the intruder at the door shrieks at him.

            “What…is this? Who…are you?” Natalie gasps, panic squeezing her words.

            Abject terror.

            This can’t be happening. Not to you.

            “Come on, baby…Meg, honey…don’t…I’m sorry…” he whines.

            “I’m sick of your sorrys. Your lies. Your sluts,” Meg snarls.

            “Please… It isn’t what you…think,” Natalie begs.

            It’s worse and you know it.

            “Shut up,” Meg warns. She's got a gun in her hand.

            Natalie starts to sob. “Please don’t kill us. Oh please, I’m begging you…”

            You're drowning in fear. Feeling desperate.

            It’ll be on the news. That’s the worst part. Worse than dying. Everyone will know the hideous truth.

            “Please, please…I have two little children…”

            Deluged with remorse.

            Self-pity. Self-hate.

            Meg waves the gun at her. “You let him sweet-talk you. You let him use you. Right?”

            “No. No, I…”

            “Didn’t you?”

            “I didn’t know…he was…involved with someone.”

            You didn’t care, Natalie.

            Anymore than you cared that you were involved with someone.

            “You let him call all the shots, right?” Meg persists.

            “No. Yes. Wait…I can’t think straight. Oh please, please put that gun away. Please let me go…”

            “You’re sorry?” Meg’s voice is taunting.

            “Yes, yes,” Natalie cries.

            You really believe it. You’re convinced if you live through this you’ll never do anything warped ever again.

            “No,” Meg snaps. “He’s the one who should be sorry.”

            “I am sorry, Meg,” he says.

            “You don’t sound sorry, Stevie. Does he sound sorry to you?”

            “Yes. Yes, he does. He is…”

            “Tell him to get down on his knees and beg for forgiveness.”

            “What?”

            “No,” Meg says. “I have a better idea. Make him get on all fours. Like a dog. A mongrel. Have him lick you all over. Then kick him over here so he can lick me.”

            “Oh God…you’re out of your mind,” Natalie says. She looks at him for confirmation.

            He’s smiling. “I wouldn’t cross Meg, honey.”

            “What are you saying?”

            Are you beginning to guess, Nat?

            “Then we’re going to show him how it’s really done,” Meg says.

“Show him who’s calling the shots here. Wouldn’t you like that?”

            “I don’t…understand.”

            “Sure you do,” Meg says. “We’re going to have ourselves some real fun now. Tell her, Stevie.”

            He doesn’t answer. But he smiles again.

            “Oh God…” Natalie whispers. “You set me up. This was all…planned. The two of you…It’s true, isn’t it? Isn’t it?”

            “Order him to get down on all fours,” Meg demands. “Now.”

            “I…can’t…do this…”

            “Now,” Meg shouts.

            You thought you’d sunk to the bottom. But you still had a ways to go.

 

            *


            “You thought you'd sunk to the bottom. But you still had a ways to go.” Greg's voice is low. Insinuating. He is one of the three probers—digging for the truth.

            Chris, who is sitting next to Greg, makes another assessment. "You're still turned on, Natalie. Go with it."

            “Yes,” Tina says. “Finish it, Nat.” Tina is the third examiner into the psyches of Natalie’s ménage à trois. She is seated at Chris’s right.

             “They're right, Natalie,” Meg says, her face flushed. “Make Steve get down on his hands and knees. Make him crawl. Isn't that what she told you to do? Isn't that what you did?”

            “I…can't. Please…” Natalie holds up her hand. In front of her face.

            “Let's stop it here and look at what's happening,” Dr. Caroline Hoffman interjects. The psychiatrist has remained silent until now. Deliberately removed from her therapy group. The dispassionate observer of the psychodrama.

            Natalie still has her hand up.

            “Are you feeling attacked?” Dr. Hoffman asks her.

            “Yes. Meg’s really pushing. I think she’s getting off on it.”

            “Bullshit. I’m just playing my part in your little reenactment.” Meg swings sideways in her chair, turns her face away from the group circle. “You laid out the whole scene.”

            “And what’s your scene, Meg?” Steve asks. “What’s your sexual quirk?”

 

*


 

            "What’s your sexual quirk?”

            “Let's pause here,” Dr. Hoffman says as she uses her remote to stop the video. “Are there any questions about the session so far? Comments?” She eyes her colleagues who are grouped around the conference table at Boston General Hospital's prestigious Institute for Special Problems.

            “There's a lot of evident pain and shame,” Dr. Alan Rogers says, removing his glasses, carefully placing them beside his note pad. He is the chief psychiatrist at the Institute. “But what comes across most, from all of them, is the raw rage. Especially Meg’s.”

            Martin Bassett, a psychiatric resident raises his hand. “I was wondering, Dr. Hoffman. Where do you draw the line?”

            “What line?” Caroline asks.

            The resident smiles disarmingly. “Between, let's say, a zealous interest in sex and…obsession? Isn't one man's—or woman's—perversion another's pleasure? I mean, if no crime's committed and you aren't putting your life or your partner's in jeopardy?”   

            “It's not an easy question to answer,” she says. “A key distinction is that when you're in the throes of a sexual addiction you're sexually out of control. What Steve expressed on the videotape. Feeling hooked. Needing it more and more. Believing you're nothing without it.” She speaks in measured tones.

             “Meaning that you only come alive when you're having sex?” Martin asks.

            Caroline responds coolly. “Actually, I think Meg may have answered your questions in the group session, Doctor Bassett. Why don't we finish viewing the tape and take it from there?”

******************************************************************************************

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